Passing chords in the lower registers work particualy well after blues licks and lines in the right hand. Song facts: The connection between the state Georgia and Georgia On My Mind was made when when Ray Charles performed the song at the Georgia General Assembly. We use dominat passing chords to create energy and forward motion which drives the tune forward. The melody also lends itself to pasing chords. To create a full sounding arrangement, we then balance this with use of bass notes in the lower registers of the piano. Throughout the form we incorporate bluesy fills and licks in the upper registers. We use all 3 of these option to create a varied arrangement. The minor to major movement can be voiced at the top of the chord, in the middle, or at the bottom as a bass line. The minor line cliche appears multiple times in the form and so we explore the different ways we can navigate through this common progression. To start this tutorial, we play through the form again adding some bigger, more interesting voicings and applying more advanced harmony including altered voicings and upper structure triads. In this lesson we take it a step further by applying this scale to the tune Georgia On My Mind. Georgia, the whole day through G7 Em A7 D7 B7 E7 A7 D7 Just an old sweet song keeps Georgia on my mind G7 B7 Em7 Dm C CÂș Georgia. In part 1 of Georgia, we introduced the concept of the major blues scale and the extended blues scale. Piano/Keyboard chords Bass chords G 13px C7 1 columns 2 columns 3 columns 4 columns A-A+ Edit Simplified Fixed Font georgia on my mind by ray charles.
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